Dos Colectivos:
Prints from La Curtiduría and
Art Division

February 27-April 6, 2018

Opening: Sunday, February 25, 1-4 pm

Dos Colectivos: Prints from La Curtiduría and Art Division is not just a single, isolated exhibition, but rather another link in a growing chain of projects we have worked on together over the years. That chain began with Demián Flores’ and Dan McCleary’s one person exhibitions at the Fisher Museum more than a decade ago. And, it has become longer and stronger due to the affiliations Fisher has with both La Curtiduría and Art Division, the dos colectivos founded by Demián Flores and Dan McCleary respectively.

Art Division began in 2010 as a center for talented young art students, ages 18 to 26. It has fostered new artistic voices from immigrant communities, especially those near its location in the MacArthur Park area. Art Division offers classes and workshops in painting, drawing, art history and other disciplines to underserved youth. In 2011 it created its own print studio with the help of Fernando Sandoval from Taller de Grabado, an etching studio in Oaxaca. Work done by La Curtiduría and at the Taller de Grabado in Mexico as well as La Curtiduría has had a considerable influence on Art Division, as has the existence of the library at IAGO, the Instituto de Artes Gráficos de Oaxaca—the Graphic Arts Institute of Oaxaca.

La Curtiduría is also an independent, self-governed, non-profit space. It was founded by Demián Flores in 2006 Oaxaca during the teachers’ demonstrations that shook the Mexican government. La Curtiduría was born out of a strong public and political position against the violence and repression unleashed by the political administration of Oaxaca. La Curtiduría has now become an important site for contemporary artistic production and has consistently enhanced its role as a place for dialogue, participation, exchange, and education, serving over 150,000 people over the years. Indeed, it has become a reference point for all Mexican independent artistic spaces.

Dos Colectivos, the exhibition, is intended to help break down  perceived artistic barriers between our two countries. It includes work from both La Curtiduría and Art Division, with each organization showing prints by visiting artists, faculty and students. By showing and sharing space for these prints, by developing residencies to share the spaces of production, by publishing catalogues documenting all this, Fisher Museum hopes to build on the strong triadic relationship between Art Division, La Curtiduría and Fisher itself.

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Saw the Kara Walker Exhibit at USC today with silk_kittenn & I highly recommend it. Walker’s work explores Black American history, and she uses silhouettes, historic illustrations, classic mythology and much more to create her vision. Sobering & arresting artwork from one of the greats 🤘☮️
#karawalker #contemporaryart #usc #uscfisher #uscfishermuseum #emancipationproclamation #emancipationapproximation #blackhistory #blackart #africanamericanart #africanamericanhistory


Ayeee, got a Paint Night Tonight for my Black Trojan family! A couple years ago, I had my exhibition "Black Girl Blues," but for this project, I was tasked with visually expressing the other end of the spectrum - Black JOY! I'm so excited for you all to see the image you'll be recreating. We will be at the Fisher Museum of Art from 6pm to 8pm 😆 So thankful to the Most High Yah for this opportunity! Fight On, and all glory goes to God. 💯 I hope to see y'all there.
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#paintnight #blackhistory #blackjoy #blackart #keviettebydesign #kevietteminor #usc #uscalum #southcentral #losangeles #celebrate #sonomacountyartist #socal #norcal #digital #painting #illustration #insecurehbo #uscfisher #blackgirlblues


Today is the last day to see pamdouglasart work in "Art and Hope at the End of the Tunnel" at fishermuseum

Curated by russianedward

#uscfisher #artandhopeattheendofthetunnel #artandhope #santuary #refugees #contemporaryart #arttoday


#Repost fishermuseum with make_repost
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Gajin Fujita⁠
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How the pandemic has affected my art practice:⁠
During this pandemic, I found it that I have had more time to live with my art practice. So, I’ve been able to give and pay more attention to the paintings I’ve worked on. Also in this pandemic, I have been able to witness and experience the many social ills that we humans create and a lot of it has made for some great content to be used in my works.⁠
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A short statement about included pieces:⁠
In this painting, No Man’s Land, I’ve painted a particular corner of the LA inner city, where we call the cornfields. This area is mostly a commercial zone so there really doesn’t exist a residential neighborhood but there once was a thriving community that existed when the Tongva people used to call this area their home. I’ve also painted Bird/God (tengu) characters attacking a coyote on this street corner. In this painting, I wanted to capture the idea of evolution and the idea of time. I feel all the fighting, struggles, competition, and dominance that all life on this planet is constantly practicing make up natural evolution.⁠
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Gajin Fujita⁠
No Man's LAnd⁠
2020⁠
Spray paint, paint markers, Sakura streak, 12K white gold leaf, and 24k gold leaf on wood⁠
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Courtesy of the Artist and L.A. Louver Venice, California⁠
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Copyright Gajin Fujita
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#museum #art #history #photography #artist #contemporaryart #painting #gallery #arte #exhibition #museo #artwork #artgallery #culture #photooftheday #modernart #love #kunst #museums #losangeles #usc #uscfisher #gajinfujita


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