Ofri Cnaani at Tate Modern

The Fisher Museum would like to honor artist Ofri Cnaani, who exhibited The Sota Project at Fisher in the Fall of 2012. The Sota Project was a multi-layered and interactive video exhibition depicting the tale of two sisters, Sota and Bekhorah from the Bible. The story was told through a series of room-sized panoramas. The themes of the story refer to jealousy, betrayal, and eventual death. The video projections appear on four walls concurrently, playing with the idea of a single narrative. There was an interaction between new video technology, an ancient narrative, and traditional large-scale visual storytelling within her project. Cnaani still works with visual media and installations today, and her themes tend to explore the dynamics of urban landscapes and visual narration, politics, sexual betrayal, along with her early life and history in Israel. She has exhibited in solo exhibitions around the world and is represented by galleries in the US, Israel, and Italy.

We would like to take this opportunity to acknowledge the work she is doing today with the Tate Modern in London. Cnaani took part in the Urban Encounters 2017: Cartographies conference earlier this November. This conference brought together a group of international artists, scholars, theorists, and activists to speak on the role of contemporary urban landscapes as means for representing politics, history, and knowledge. Cnaani’s specific presentation at the event dealt with the history of the Meatpacking District in New York, she is a Brooklyn based artist. She explained the dark and scandalous history of the neighborhood and the recent major gentrification, by discussing power, privilege, and technology to create space. Cnaani shared her digital performance piece and encouraged the audience at the Tate conference to participate on their phones. It is incredible to see the powerful and inspiring work Ofri Cnaani has done since her time exhibiting here at the Fisher Museum, and look forward to her work to come.

Ofri Cnaani, The Sota Project

Blog post by Abigail Bresler, intern at the USC Fisher Museum of Art.

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Saw the Kara Walker Exhibit at USC today with silk_kittenn & I highly recommend it. Walker’s work explores Black American history, and she uses silhouettes, historic illustrations, classic mythology and much more to create her vision. Sobering & arresting artwork from one of the greats 🤘☮️
#karawalker #contemporaryart #usc #uscfisher #uscfishermuseum #emancipationproclamation #emancipationapproximation #blackhistory #blackart #africanamericanart #africanamericanhistory


Ayeee, got a Paint Night Tonight for my Black Trojan family! A couple years ago, I had my exhibition "Black Girl Blues," but for this project, I was tasked with visually expressing the other end of the spectrum - Black JOY! I'm so excited for you all to see the image you'll be recreating. We will be at the Fisher Museum of Art from 6pm to 8pm 😆 So thankful to the Most High Yah for this opportunity! Fight On, and all glory goes to God. 💯 I hope to see y'all there.
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#paintnight #blackhistory #blackjoy #blackart #keviettebydesign #kevietteminor #usc #uscalum #southcentral #losangeles #celebrate #sonomacountyartist #socal #norcal #digital #painting #illustration #insecurehbo #uscfisher #blackgirlblues


Today is the last day to see pamdouglasart work in "Art and Hope at the End of the Tunnel" at fishermuseum

Curated by russianedward

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#Repost fishermuseum with make_repost
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Gajin Fujita⁠
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How the pandemic has affected my art practice:⁠
During this pandemic, I found it that I have had more time to live with my art practice. So, I’ve been able to give and pay more attention to the paintings I’ve worked on. Also in this pandemic, I have been able to witness and experience the many social ills that we humans create and a lot of it has made for some great content to be used in my works.⁠
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A short statement about included pieces:⁠
In this painting, No Man’s Land, I’ve painted a particular corner of the LA inner city, where we call the cornfields. This area is mostly a commercial zone so there really doesn’t exist a residential neighborhood but there once was a thriving community that existed when the Tongva people used to call this area their home. I’ve also painted Bird/God (tengu) characters attacking a coyote on this street corner. In this painting, I wanted to capture the idea of evolution and the idea of time. I feel all the fighting, struggles, competition, and dominance that all life on this planet is constantly practicing make up natural evolution.⁠
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Gajin Fujita⁠
No Man's LAnd⁠
2020⁠
Spray paint, paint markers, Sakura streak, 12K white gold leaf, and 24k gold leaf on wood⁠
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Courtesy of the Artist and L.A. Louver Venice, California⁠
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Copyright Gajin Fujita
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