Team Fisher Launches “Remix” in Washington, D.C.

A week ago today, members of Team Fisher were at the Art Museum of the Americas (AMA) in Washington, D.C. Previously attending American Alliance of Museums‘ annual meeting, they hosted the launch of Remix: Changing Conversations in Museums of the Americas, a book edited by Fisher Museum and International Museum Institute (IMI) Director Selma Holo and IMI’s Associate Director Mari-Tere Álvarez.

Celebrating the diversity of institutions in the United States, Latin America, and Canada, Remix aims to change the discourse about museums from the inside out, proposing a new, “panarchic”—nonhierarchical and adaptive—vision for museum practice. Selma Holo and Mari-Tere Álvarez offer an unconventional approach, one premised on breaching conventional systems of communication and challenging the dialogues that drive the field. Featuring more than forty authors in and around the museum world, Remix frames a series of vital case studies demonstrating how specific museums, large and small, have profoundly advanced or creatively redefined their goals to meet their ever-changing worlds.

We are grateful to AMA and the Organization of American States (OAS) for welcoming us to their charming museum in Washington, D.C., which is currently surrounded with talented Uruguayan artist Rimer Cardillo‘s work. We couldn’t have imagined a better and more relevant time and place for this book launch!

Remarks by OAS Secretary for Hemispheric Affairs James Lambert, AMA Director Andrés Navia
and USC Fisher Museum of Art and International Museum Institute Director Selma Holo.
Selma Holo in conversation with Carlos Tortolero, President and Founder of the National Museum of Mexican Art in Chicago. Carlos Tortolero is one of the authors of “Remix: Changing Conversations in Museums of the Americas.”
Selma Holo in conversation with Art Museum of the Americas Director Andrés Navia.
Andrés Navia is one of the authors of “Remix: Changing Conversations in Museums of the Americas.”

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Saw the Kara Walker Exhibit at USC today with silk_kittenn & I highly recommend it. Walker’s work explores Black American history, and she uses silhouettes, historic illustrations, classic mythology and much more to create her vision. Sobering & arresting artwork from one of the greats 🤘☮️
#karawalker #contemporaryart #usc #uscfisher #uscfishermuseum #emancipationproclamation #emancipationapproximation #blackhistory #blackart #africanamericanart #africanamericanhistory


Ayeee, got a Paint Night Tonight for my Black Trojan family! A couple years ago, I had my exhibition "Black Girl Blues," but for this project, I was tasked with visually expressing the other end of the spectrum - Black JOY! I'm so excited for you all to see the image you'll be recreating. We will be at the Fisher Museum of Art from 6pm to 8pm 😆 So thankful to the Most High Yah for this opportunity! Fight On, and all glory goes to God. 💯 I hope to see y'all there.
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#paintnight #blackhistory #blackjoy #blackart #keviettebydesign #kevietteminor #usc #uscalum #southcentral #losangeles #celebrate #sonomacountyartist #socal #norcal #digital #painting #illustration #insecurehbo #uscfisher #blackgirlblues


Today is the last day to see pamdouglasart work in "Art and Hope at the End of the Tunnel" at fishermuseum

Curated by russianedward

#uscfisher #artandhopeattheendofthetunnel #artandhope #santuary #refugees #contemporaryart #arttoday


#Repost fishermuseum with make_repost
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Gajin Fujita⁠
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How the pandemic has affected my art practice:⁠
During this pandemic, I found it that I have had more time to live with my art practice. So, I’ve been able to give and pay more attention to the paintings I’ve worked on. Also in this pandemic, I have been able to witness and experience the many social ills that we humans create and a lot of it has made for some great content to be used in my works.⁠
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A short statement about included pieces:⁠
In this painting, No Man’s Land, I’ve painted a particular corner of the LA inner city, where we call the cornfields. This area is mostly a commercial zone so there really doesn’t exist a residential neighborhood but there once was a thriving community that existed when the Tongva people used to call this area their home. I’ve also painted Bird/God (tengu) characters attacking a coyote on this street corner. In this painting, I wanted to capture the idea of evolution and the idea of time. I feel all the fighting, struggles, competition, and dominance that all life on this planet is constantly practicing make up natural evolution.⁠
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Gajin Fujita⁠
No Man's LAnd⁠
2020⁠
Spray paint, paint markers, Sakura streak, 12K white gold leaf, and 24k gold leaf on wood⁠
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Courtesy of the Artist and L.A. Louver Venice, California⁠
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Copyright Gajin Fujita
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#museum #art #history #photography #artist #contemporaryart #painting #gallery #arte #exhibition #museo #artwork #artgallery #culture #photooftheday #modernart #love #kunst #museums #losangeles #usc #uscfisher #gajinfujita


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